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In the performance "Rupture," the audience leads a three-act ritual that closes a cycle begun by the artist in her first public performance in 2015, as part of the exhibition "Radical Ideas Of Love" at the Museum of Art of Rio (MAR).
In the first act, the audience offers a collection of pink lipsticks, with which the artist searches for the "perfect lipstick," symbolizing the pursuit of unattainable ideals — a metaphor for life's senseless dreams and goals. In the second act, they watch as the artist tattoos the image of a giant bear on her arm, opposite the apple tattooed in the first "Rupture." The bear represents strength and presence, symbolizing protection and belonging, reinforcing the weight of relationships built over time. In the third act, the audience cuts the artist's hair, ending cycles and creating space for the new in a gesture of rupture and renewal.
In the first act, the audience offers a collection of pink lipsticks, with which the artist searches for the "perfect lipstick," symbolizing the pursuit of unattainable ideals — a metaphor for life's senseless dreams and goals. In the second act, they watch as the artist tattoos the image of a giant bear on her arm, opposite the apple tattooed in the first "Ruptura." The bear represents strength and presence, symbolizing protection and belonging, reinforcing the weight of relationships built over time. In the third act, the audience cuts the artist's hair, ending cycles and creating space for the new in a gesture of rupture and renewal.
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Performance Honra Ao Mérito
Performance Honor to Merit
Honra ao MéritoThe performance emerges as a gesture of reparation and self-worth within the exhibition “Radical Ideas About Love”. By placing women, cis and trans, at the center of an action of recognition, the work reflects the power of self-love and community affection, while questioning the invisibility and historical erasure of these women. -
Radical Ideas About Love: Five O'Clock Tea
Ideias Radicais Sobre O Amor: Chá das Cinco
“Chá das Cinco” (“Five O'clock Tea”) subverts the colonial tea ritual, transforming it into a space of resistance and community reunion. In this work, the act of drinking tea is rethought as a practice of communion and exchange, where visitors from different backgrounds share advice and reflections through notes left under the saucers. Each message becomes a link in a chain of shared knowledge, challenging historical narratives and proposing a different form of dialogue. -
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Na fotoperformance "Consagrada", uso a escarificação para simbolizar o doloroso caminho de aceitação no mercado de arte. Estreando na galeria Luisa Strina, a obra critica os rituais de validação no sistema artístico, inspirada por referências como Catherine Opie. Recontextualizando essa prática ancestral, a performance questiona o custo da consagração no mundo da arte, misturando tradição e transgressão. -
O Culto Contra Os Embustes, foi realizado no último sábado, dia 17/08 no MAR como parte da programação da exposição Ideias Radicais Sobre O Amor, curada por Daniela Labra e Maybel Sulamita. No Culto colocamos uma intenção na queima do Embuste para fortalecer nossa auto-estima e energia vital e assim, romper com todo abuso e violência afastando os indivíduos malígnos de nossa vida.
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Abertura Ideias Radicais Sobre O Amor
Museu de Arte Do Rio
Abriu no dia 09 de agosto a primeira individual de Panmela Castro no MAR "Ideias Radicais Sobre O Amor" com grande presença do Público. Composta por 17 obras, entre inéditas e participativas, confira as fotos de quem passou por lá.
